By Karin van Nieuwkerk
In Egypt, making a song and dancing are thought of crucial on chuffed events. specialist entertainers frequently practice at weddings and different celebrations, and a number family's status rises with the quantity, rate, and popularity of the entertainers they lease. ironically, in spite of the fact that, the entertainers themselves are usually considered as disreputable humans and are accorded little status in Egyptian society. This paradox varieties the start line of Karin van Nieuwkerk's examine the Egyptian leisure alternate. She explores the lives of lady performers and the explanations why paintings they regard as "a exchange like every different" is taken into account disreputable in Egyptian society. specifically, she demonstrates that whereas male entertainers are frequently seen as easily "making a living," girl performers are in general thought of undesirable, seductive girls engaged in dishonorable behavior. She strains this belief to the social definition of the feminine physique as regularly and simply sexual and enticing--a belief that stigmatizes ladies entertainers at the same time it concurrently deals them a method of livelihood. Drawn from broad fieldwork and enriched with the existence tales of entertainers and nightclub performers, this is often the 1st ethnography of lady singers and dancers in present-day Egypt. it is going to be of curiosity to a large viewers in anthropology, women's reports, and center jap tradition, in addition to someone who enjoys stomach dancing.
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Additional info for ''A Trade like Any Other'': Female Singers and Dancers in Egypt
Good. Lucky for you I need you. Run to my in-laws' place and beg them to come here as fast as they can. Tell them it's vital. If they make any difficulty because of the time, insist. Make them realize it's desperately important for them to be here, whatever state they're in. You heard me this time? COLIN Yes, master. GEORGE DANDIN Now hurry. And hurry back. ) I'll go into the house while ... Did I hear someone? Was that my wife? I'd better listen under cover of the darkness. ANGELIQUE Goodnight.
GEORGE DANDIN For one moment. Go ahead. ANGELIQUE I'm to blame; it's true. I admit it again. You have every right to feel resentful. I did take the opportunity to slip out while you were asleep, and I did go for a rendez-vous with the person you mentioned. But can't you pardon misdemeanors like these because of my age? Can't you forgive the eagerness of a young woman who has seen nothing and only just begun to meet people? These are liberties it's easy to fall into without meaning to do wrong. They don't amount to anything that - GEORGE DANDIN Yes, that's what you keep saying.
Your conduct is not worthy of a gentleman and I won't treat you like one. She seizes a stick handed to her by Claudine and beats her husband, instead of Clitandre, who has moved out of the way. CLITANDRE Ow, ow, ow, ow, ow! Stop! ) CLAUDINE Harder, madame, he asked for it. ANGELIQUE (Calling after Clitandre) If there's anything else on your mind, I have another answer ready. CLAUDINE (Calling) Choose more suitable playmates. ANGELIQUE Oh father, are you here? MONSIEUR DE SOTENVILLE Yes, my girl.
''A Trade like Any Other'': Female Singers and Dancers in Egypt by Karin van Nieuwkerk